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Jean Marc Nattier 1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
Jean Marc Nattier Madame Henriette as Flora mk86
1742
Oil on canvas
94.6x128.5cm
Florence,Galleria degli Uffizi
Painting ID:: 40535
X
Jean Marc Nattier The Battle of Lesnaya mk156
1717
Oil on canvas
90x112cm
Painting ID:: 40550
X
Jean Marc Nattier The Duchesse d-Orleans as Hebe mk156
1744
Oil on canvas
144x110cm
Painting ID:: 43247
X
Jean Marc Nattier Manon Balletti mk170
1757
Oil on canvas
54x47.5cm
Painting ID:: 64311
X
Jean Marc Nattier the comtesse de tillieres 1750
london, the wallace collection
Painting ID:: 67046
X
Jean Marc Nattier Beaumarchais oil painting big Description Beaumarchais oil painting big.jpg
English: Oil portrait of Pierre Augustin Caron de Beaumarchais, 1732-1799, by Jean-Marc Nattier, 1755
Français : Jean-Marc Nattier (French, ): Pierre Augustin Caron de Beaumarchais (1732-1799), portrait en buste, 1755, huile sur toile, collection priv??e.
Date 1755
Painting ID:: 68488
X
Jean Marc Nattier Art Gallery of New South Wales Technique Oil on canvas
Painting ID:: 69665
X
Jean Marc Nattier Madame de La Porte oil on canvas painting by Jean-Marc Nattier
Painting ID:: 76266
X
Jean Marc Nattier Dauphine de Saxe Date 1751(1751)
Medium Oil on canvas
Dimensions 105 ?? 120 cm (41.3 ?? 47.2 in)
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Painting ID:: 76851
X
Jean Marc Nattier Portrait of Madame Geoffrin 1738(1738)
Medium Oil on canvas
Dimensions 145 ?? 115 cm (57.1 ?? 45.3 in)
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Painting ID:: 77001
X
Jean Marc Nattier Duchesse de Chartres as Hebe Medium Oil on canvas
Dimensions 140 ?? 107 cm (55.1 ?? 42.1 in)
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Painting ID:: 77211
X
Jean Marc Nattier Princess Marie Adelaide of France 1751(1751)
Medium Oil on canvas
Dimensions 106 ?? 138 cm (41.7 ?? 54.3 in)
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Painting ID:: 77219
X
Jean Marc Nattier Madame de Maison-Rouge as Diana Date 1756(1756)
Medium Oil on canvas
Dimensions 136.5 ?? 105.1 cm (53.7 ?? 41.4 in)
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Painting ID:: 77275
X
Jean Marc Nattier Madame de Maison Rouge as Diana Date 1756(1756)
Medium Oil on canvas
Dimensions 136.5 ?? 105.1 cm (53.7 ?? 41.4 in)
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Painting ID:: 77396
X
Jean Marc Nattier Marie Zephirine de France Date ca. 1751(1751)
Medium Oil on canvas
Dimensions 70 x 82 cm (27.6 x 32.3 in)
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Painting ID:: 77468
X
Jean Marc Nattier The Earth Date 1750(1750)
Medium Oil on canvas
Dimensions 107 ?? 138 cm (42.1 ?? 54.3 in)
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Painting ID:: 77621
X
Jean Marc Nattier Louise Henriette de Bourbon Conti ca. between 1745(1745) and 1750(1750)
Medium Oil on canvas
Dimensions 129 ?? 96 cm (50.8 ?? 37.8 in)
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Painting ID:: 77715
X
Jean Marc Nattier Duchesse de Chateauroux 1740(1740)
Medium Oil on canvas
Dimensions 81 x 96 cm (31.9 x 37.8 in)
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Painting ID:: 77976
X
Jean Marc Nattier Mlle Medium Oil on canvas
Dimensions 54 x 47.5 cm (21.3 x 18.7 in)
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Painting ID:: 77985
X
Jean Marc Nattier Portrait of Jeanne Louise de Lorraine Date 1732(1732)
Medium Oil
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1685-1766
French
Jean Marc Nattier Gallery
Brother of Jean-Baptiste Nattier. As well as being taught by his father, he trained with his godfather, Jean Jouvenet, and attended the drawing classes of the Academie Royale, where in 1700 he won the Premier Prix de Dessin. From around 1703 he worked on La Galerie du Palais du Luxembourg. The experience of copying the work of Rubens does not, however, seem to have had a liberating effect on his draughtsmanship, which was described by the 18th-century collector Pierre-Jean Mariette as cold. Nattier was commissioned to make further drawings for engravers in the early part of his career, including those after Hyacinthe Rigaud famous state portrait of Louis XIV (1701; Paris, Louvre) in 1710, which indicates that he had established a reputation while he was still quite young. Although he was offered a place at the Academie de France in Rome on the recommendation of Jouvenet, Nattier preferred to remain in Paris and further his career. In 1717 he nevertheless made a trip to Holland, where he painted portraits of Peter the Great and the Empress Catherine (St Petersburg, Hermitage). The Tsar offered Nattier work at the Russian court, but the artist declined the offer. He remained in Paris for the rest of his life.
